On the off chance that there's anything I've gained from perusing excellent books, it's that even the most darling of characters must endure. They must be hurled into what John Cusack's character in Say Anything depicts as a "challenge to be the extraordinary circumstance," since then we get the opportunity to see what they're truly made of and whether they're saints, miscreants or only yellow-bellied quitters. Some of them may twist up into a ball and suck their thumbs at the primary indication of inconvenience, while others will draw their swords, strap on their shields and throw themselves into the conflict for everything they have.
Clearly, the last sorts of characters are the all the more intriguing ones, because regardless of the possibility that they wind up getting their rear ends gave to them on a silver platter, the essential thing is that they attempted. They made a move, and they accomplished something to manage the current circumstance. Regardless of the possibility that they're just figuratively fighting evil presences, as opposed to slitting their throats with a whimsically cut katana, per users need to see characters that will think about unpalatable circumstances trying to overcome, instead of discreetly tolerating their destiny. All things considered, we need to pull for the little person, vanquish the foe, be there to see them beat the competition, isn't that so?
Alright, however here's the issue: this implies we scholars must be the poor folks that toss each one of those horrendous issues at our most loved characters. We're the resentful divine beings that kick them when they're down, the ones that continue tossing them over into the deep end to sink or swim, or the bastards dispensing impossible hardships like Sisyphus' continually tumbling rock and Prometheus' interminably eaten liver.
In short: we must be cruel people.
Poorly something I find troublesome. When I like my characters, I need them to win. I need things to be decent for them, and I need their lives to be wonderful. This is because I relate to these made-up individuals, and I don't need them to endure. They're my companions, all things considered, and who needs their partners to experience? Rascals that is who.
Be that as it may, learn to expect the unexpected. Perusing a beautiful little tale about individuals who are decent and never need to manage any agony is exhausting! For characters to be adorable, you must begin harming them, and quick. The sooner you get to the parts where the bones are breaking, and the hearts are hurting, the better since it implies that move is making the place, and in this manner development is conceivable.
On the off chance that you don't whip your characters, they won't learn anything about themselves. What's more, if you don't make them learn anything, then who cares regardless of whether they live cheerfully a great many? They're cardboard characters, little manikins strewn over your stage, not genuine people.
As Nietzsche said, what doesn't slaughter you makes you more grounded. So if you're attempting to man up to deliver some genuine harm to get your characters moving, here are some of my most loved approaches to torment my characters until they spill their guts, develop a few spines or outright separate:
Go for the kneecaps
Murder somebody they cherish
Make them insane
Erase their employments
Foil their companionships
Mortify them professionally or by and by
Compel them out on horrendous dates
Have them go on incredible dates, however then deny them sex or love
Foist an insane individual on them
Set them beside the most exhausting butt hole at the gathering
Cross their wires for some blended messages and bright false impressions
Ruin their fantasies
Destroy them with lightning or other regular catastrophes
Go for the jugular
Send them to the healing facility
Give them inoperable tumor or other fatal sicknesses
Put them on Mission: Unimaginable
Become scarce their water supply
Take away their innovation or spoil their devices
Make a wild goose pursue
Embed a red herring
Spurn their adoration
Harm them gradually
Make them believe they're seeing apparitions or listening to voices
Addle them with evil presences
Have their relatives mentally or physically mishandle them
Rip the rooftop off
Detain them for wrongdoings they never dedicated
Have they sought after by unsafe crooks
Support a round of opposing glares
Urge their friends and family to express disappointment with their picked way of life
Wed them off to life partners that don't comprehend them
Assault their self-images
Plague them with wounds
Saddle them with poorly arranged truths
Constrain them on a physical or otherworldly voyage they never needed to attempt
Make the End of the world
Unleash the dogs (or the zombies)
Have their espresso producers blast
Permit creatures to mysteriously assault them
Make them unlovable, or unemployable, or both!
Make them weights to their loved ones
Make them late for work
Reject them over and over
Furthermore, dependably, Dependably stack more inconvenience on their heads the nearer they come to triumph
If you are the divine force of your composition universe, be the Old Confirmation god that is angry, malevolent and completely unusual. If all else fails, send an infection of beetles. On the other hand more regrettable: snakes. (Hello, even intense person Indiana Jones loathed snakes.)
You should be the mirthful savage, continually bending your characters in the wind, dangling them over a slope, throttling them half to death. Give them damnation, and perceive how they respond. Try not to be reluctant to take it to another level. You never recognize what sorts of legends you'll create until you begin slathering them with inconveniences.